All the World’s A Stage


Catching up from the trip a bit more — So one of the things we realized we just weren’t going to be able to squeeze into the trip was a foray up to Stratford-Upon-Avon, which this year is celebrating the 400th anniversary of Shakespeare. But, in honor of the anniversary, we did take in a few other sites and exhibits related to the Bard.
 
We revisited the New Globe Theater, built several years back just meters from the site of Shakespeare’s Globe. We’d gone by last year but were in a hurry, so we only walked around the outside and into the gift shop. This year, we were excited that we actually had the time to do a tour, but, of course, when we got there, tours were closed for rehearsals for an upcoming performance. (I was a little disappointed, also, that they didn’t have anything in the gift shop marking the 400-year anniversary.)
 
At Windsor Castle, there was a Shakespeare exhibit, including an original first folio, and then at the British Library they had a special exhibit on Shakespeare, which included not only the only known script with his writing, but also two of the only known six remaining examples of his signature. (You had to pay to see the exhibit, and we were running short on time so were afraid we couldn’t do it justice, but then realized that, even if those things were all we saw, the odds that we’d come back to the States and say “I’m so glad we saved a few bucks not seeing Shakespeare’s original handwriting” were about nil. If you ply your living working with the words of the English language, you owe a debt to Shakespeare.)
 
From the Globe, we made a quick trip further into Southwark for another literary pilgrimage to find the original site of the Tabard. It’s a little bit deeper cut than Shakespeare, but the real English lit nerds recognize the name:
 
“Bifil that in that seson, on a day,
In Southwerk at the Tabard as I lay
Redy to wenden on my pilgrymage
To Caunterbury with ful devout courage…”
 
The general prologue from Chaucer’s Canterbury Tales was burned into my brain a quarter-century ago in Tish Hammer‘s English class at Huntsville High School, and on a good day, I can still breeze through more than 30 lines in the original language (which isn’t bad, considering we only had to memorize the first 18). We’d had another Chaucer encounter earlier in the trip, seeing his crypt at Westminster Abbey.
 
It made me really grateful for Mrs. Hammer and the other great English teachers I had at HHS. It really says something about a teacher than can inspire such interest that decades later on the other side of the ocean I want to take the time to track down a small marker in a shady alley to find something we studied in her class. (Similar side trips were made in Oxford to find Lewis Carroll sites, inspired by a video project Jasons Smith and Hutchinson and I made for Mrs. Guerin’s AP English class.)
 
I’m very blessed that I enjoy what I do for a living. I love the subjects I get to write about at work, but I also love just the shear act and art of storytelling. And without a doubt, there that love of language and story owes a huge debt to teachers I had at Huntsville High.

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